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I Congreso Internacional sobre nuevos materiales y tecnologías para el arte

Selección bibliográfica realizada por la Biblioteca de la Facultad de Bellas Artes a partir de bases de datos especializadas en arte y de los fondos existentes en la biblioteca, con motivo del I CONGRESO INTERNACIONAL SOBRE NUEVOS MATERIALES Y TECNOLOGÍAS PARA EL ARTE, organizado por la Facultad de Bellas Artes (UCM), Departamento de Pintura, del 23 al 25 de noviembre de 2005

Catálogo de la Biblioteca de la Facultad de Bellas Artes. Monografías
  1. Art and innovation : the Xerox PARC Artist-in-Residence Program .Cambridge (Massachusetts) ; London: The MIT Press,1999.
  2.  Arte e biologia. Venecia: La Biennale: Electa, 1986.
  3. Arte en la era electrónica: perspectivas de una nueva estética. Barcelona: ACC L'Angelot[etc.], 1996.
  4. Avance rápido = Fast forward : media art en la Colección Goetz : exposición producida en colaboración por el ZKM Centro de Arte y Medios, Karlsruhe y la Colección Goetz, Munich : Centro Cultural Conde Duque, 09-02 al 17-04 2005.  Madrid : Centro Cultural Conde Duque, 2005.
  5. Conectando creaciones: ciencia-tecnología-literatura-arte. Santiago de Compostela:Centro Galego de Arte Contemporánea, D.L. 2000.
  6. Cyberia 02: [exposición], Villa Iris, Santander, del 2 de agosto al 1 de septiembre de 2002.  Santander: Fundación Marcelino Botín, 2002.
  7. Cybernetic serendipity: the computer and the arts. London: Studio International, 1970.
  8. Distorno: jornadas de becarios de investigación FPI, en Bellas Artes : Facultad de BBAA. U.C.M., 17-18 mayo 00. Madrid: Editorial Complutense, 2000.
  9. Estudios visuales : la epistemología de la visualidad en la era de la globalización. Tres Cantos (Madrid): Akal,  D.L. 2005.
  10. Futuros emergentes = Emergent futures: arte, interactividad y nuevos medios = art, interactivity and new media. [Valencia]: Institució Alfons el Magnŕnim, Diputación de Valencia, 2000. 
  11. Generación automática de formas plásticas : resumen de los seminarios celebrados durante el curso 1968-69, Centro de Cálculo de la Universidad de Madrid, Junio 1969. Vol.2, Formas computables.  Madrid :  Centro de Cálculo de la Universidad, 1969.
  12. Generación automática de formas plásticas : resumen de los seminarios celebrados durante el curso 1968-69, Centro de Cálculo de la Universidad de Madrid, Junio 1969. Vol.1, Ordenadores en el arte.  Madrid : Centro de Cálculo de la Universidad, 1969.
  13. Génesis creativa y proceso de la imagen electrónica : proyecto de investigación ...  Bilbao : Universidad del País Vasco, Facultad de Bellas Artes, 1989.
  14. Information art : diagramming microchips : [exhibition], Museum of Modern Art, New York.  New York : The Museum of Modern Art [etc.], 1990.
  15. Installations : Mattress Factory, 1990-1999.  Pittsburgh : Mattress Factory ; University of Pittsburgh, 2001.
  16. Iterations : the new image : july 11-august 29, 1993,International Festival of the Image, Rochester, New York, oktober 15, 1993-january 21, 1994, International Center of Photography Midtown, New York City.  New York :International Center of Photography Midtown; Cambridge (Massachusetts): The MIT Press, 1993.
  17. Jouable : art, jeu et interactivité : Genčve - Kyoto - Paris: expositions - workshops - colloque.  Genčve : Haute école d'arts appliqués ; Paris : École nationale supérieure des arts dçecoratifs ; Saint-Denis : Ciren Université Paris 8 ; Genéve: Saint-Gervais centre pour l'image contemporaine, 2004.
  18. Lo tecnológico en el arte : de la cultura vídeo a la cultura ciborg.  Barcelona: Virus Editorial, 1997.
  19. Media culture.  Barcelona : Associació de Cultura Contemporánia L'Angelot, 1995.
  20. Medien Kunst Netz. 1, Medienkunst im Überblick = Media Art Net. 1, Survey of Media Art . Wien ; New York: Springer, 2004.
  21. Máquinas y herramientas de dibujo.Madrid : Cátedra, 2002.
  22. The new media reader. Cambridge (Massachusetts) ; London: The MIT Press, 2003.
  23. L'Ordinateur et la créativité : rationalisation du processus de créativité dans l'architecture et la peinture...  Madrid:  Centro de Cálculo de la Universidad, 1970. 
  24. Revolving doors : [exposición], del 21 de enero al 29 de febrero de 2004, Fundación Telefónica, Madrid.  Madrid : Fundación Telefónica, 2003.
  25. Space, site, intervention : situating installation.  Minneapolis : University of Minnesota Press, 2000.
  26. Time zones : recent film and video : [exhibition].  London : Tate Publishing, 2004.
  27. Update 2.0 : Medien Kunst Aktuell aus Deutschland = current media art from Germany.  [München] :Goethe-Institut ; Karlsruhe :  ZKM, 2004.
  28. Virtual reality : [Exhibition]National Gallery of Australia,10 December 1994 - 5 February 1995.  Canberra : Publications Department of the National Gallery of Australia, 1994.
  29. Vértigos : artes audiovisuales on-line/off-line :[exposición], Sala Amadís, Instituto de la Juventud, del 30 de septiembre al 16 de octubre.   Madrid : Instituto de la Juventud, 1999.
  30. Aukstakalnis, Steve. El espejismo de silicio : arte y ciencia de la realidad virtual.      Barcelona :  Página Uno, 1993.
  31. Aznar Almazán, Sagrario. El arte de acción. Hondarribia (Guipúzcoa) : Nerea, 2000.
  32. Bienal Internacional de Arte Contemporáneo de Sevilla (1. 2004) . La alegría de mis sueńos = The joy of my dreams : [exposición, Centro Andaluz de Arte Contemporáneo], Monasterio de la Cartuja de Santa María de las Cuevas, 3 octubre - 5 diciembre 2004 .   ed. Sevilla : Fundación BIACS,  2004.
  33. Brea, José Luis. La era postmedia : acción comunicativa, prácticas (post)artísticas y dispositivos neomediales. Salamanca :  Consorcio Salamanca,  2002.
  34. Carrillo, Jesús. Arte en la red. Madrid : Cátedra, 2004.
  35. Cotton, Bob. The cyberspace lexicon : an illustrated dictionary of terms from multimedia to virtual reality. London : Phaidon Press, 1994.
  36. Deken, Joseph. Computer images : state of the art. London : Thames and Hudson, 1983.
  37. Deken, Joseph. Imágenes de ordenador : la informática gráfica en la ciencia en el arte. Barcelona :  Icaria,  1986.
  38. Dery, Mark. Velocidad de escape : la cibercultura en el final del siglo. Madrid : Siruela, 1998.
  39. Dyaz, Antonio. Arte, placer y tecnología. Madrid : Anaya Multimedia, 1995.
  40. Dyaz, Antonio. Mundo artificial : Internet, ciberpunk, clonación y otras palabras mágicas. Madrid : Temas de Hoy, 1998.
  41. Faber, Liz. Replay : ultimate games graphics. London : Laurence King, 1998.
  42. Fargier, Jean Paul. Oů va la vidéo?. Paris : L'Etoile, 1986.
  43. Fernández, Christian. Diseño, comunicación y nuevas tecnologías. Barcelona : Aram, 1989.
  44. Francastel, Pierre (1900-1970). Art & technology in the Nineteenth and Twentieth centuries. New York: Zone Books, 2000.
  45. Franke, Herbert W. (1927-). Computergraphik, Computerkunst. München: Bruckmann, 1971.
  46. Fuenmayor, Elena. Ratón, ratón... : introducción al diseńo gráfico asistido por ordenador. México ; Barcelona: Gustavo Gili, 2001.
  47. Gartel, Laurence M. Laurence M. Gartel: a cybernetic romance. Layton(Utah) :  Gibbs Smith,  1989.
  48. González Fernández, Roberto (1948-). Fondos de pantalla = Wallpapers. [S. l.] :  [s. n.],  2001.
  49. Goodman, Cynthia. Digital visions : computers and art. New York [etc.] :  Harry N. Abrams [etc.],  1987.
  50. Grau, Oliver (1965-). Virtual art : from illusion to immersion. Cambridge (Massachusetts) ; London :  The MIT Press,  2003.
  51. Greene, Rachel.  Internet art. London :  Thames & Hudson,  2004.
  52. Guasch, Ana María. El arte último del siglo XX : del posminimalismo a lo multicultural. Madrid :  Alianza,  2005.
  53. Gubern, Román. El eros electrónico. Madrid :  Taurus,  2000.
  54. Jornadas ABIBA de Arte e Investigación (2001. Madrid). Investigarte : andamios para una construcción de la investigación en bellas artes : Jornadas ABIBA de arte e investigación : 28-29 de noviembre 2001, Facultad de Bellas Artes U.C.M. Madrid :   Editorial Complutense,  2003.
  55. Larrañaga, Josu (1948-). Instalaciones. Hondarribia (Guipúzcoa) :  Nerea,  2001.
  56. Maldonado, Tomás. Lo real y lo virtual. Barcelona : Gedisa,  1994.
  57. Meso Ayerdi, Koldo. Arte en Internet. Madrid :  Anaya,  1997.
  58. Mitchell, William J. (William John 1944-). The reconfigured eye : visual truth in the post-photographic era. Cambridge (Massachusetts) ; London : MIT Press,  1994.
  59. Morris, Robert (1931-). Continuous project altered daily : the writings of Robert Morris. Cambridge (Massachusetts) ; London : MIT Press,  1995.
  60. Mumford, Lewis (1895-1990). Arte y técnica. Buenos Aires : Nueva Visión,  1968.
  61. Oliveira, Nicolas De. Installation art in the new millennium : the empire of the senses : Nicolas de Oliveira, Nicola Oxley, Michael Petry. London :  Thames and Hudson,  2003.
  62. Paul, Christiane. L'art. Paris :  Thames & Hudson,  2004.
  63. Paul, Christiane. Digital art. London :  Thames & Hudson,  2003.
  64. Prueitt, Melvin L. El arte y la computadora. Madrid [etc.] :  McGraw-Hill,  1985.
  65. Reichardt, Jasia. The computer in Art. London [etc.] :  Studio Vista [etc.],  1971.
  66. Reiss, Julie H. From margin to center : the spaces of installation art. Cambridge (Massachusetts) ; London :  The MIT Press,  1999.
  67. Rekalde Izaguirre, Josu. Video : un soporte temporal para el arte. Bilbao:  Servicio Editorial de la Universidad del País Vasco,  1995.
  68. Rush, Michael. Les nouveaux médias dans l'art. Londres ; Paris : Thames and Hudson,  1999.
  69. Rush, Michael. Nuevas expresiones artísticas a finales del siglo XX. Barcelona [etc.]: Destino [etc.],  2002.
  70. Rush, Michael. Video art. London: Thames & Hudson,  2003.
  71. Rutsky, R. L. High technč : art and technology from the machine aesthetic to the posthuman. Minneapolis :  University of Minnesota Press,  1999.
  72. Salat, Serge. La relčve du réel : les arts du chaos et du virtuel. Paris : 1997.
  73. Sossai, Maria Rosa. Artevideo : storie e culture del video d'artista in Italia. Milano :  Silvana,  2002.
  74. Woolley, Benjamin. El universo virtual. Madrid :  Acento,  1994.
  75. Zentrum für Kunst und Medientechnologie (Karlsruhe). Zentrum für Kunst und Medientechnologie Karlsruhe. Karlsruhe :  das Zentrum,  1995.


Catálogo de la Biblioteca de la Facultad de Bellas Artes. CD-ROM's 
  • Actualité du virtuel = actualizing the virtual. Paris : Centre George Pompidou, 1996.
  • Arte visión : una historia del arte electrónico en España. Sabadell (Barcelona) : MECAD, 2000.
  • Digital surface within fine art practice. Dublin : published by the National College of Art and Design in association with the London Institute and University of Art & Design, 2003.
  • La imagen digital : aplicaciones para la enseñanza artística. Madrid : Santillana, 2005.
  • Leda vuela : [exposición] Centro Cultural Montehermoso 1 junio - 15 julio 2001. Vitoria-Gasteiz : Centro Cultural Montehermoso, 2001.
  • Public : proposta didàctica del Patronat Martínez Guerricabeitia. Valencia : Patronat Martínez Guerricabeitia ; Universitat de València, [200?].
  • Ressources numériques et histoire de l'art : de l'amateur au chercheur. Paris : Institut de l'Information Scientifique et Technique, 2002.
  • Art Futura (2001. Barcelona). Arte colectivo = Art col-lectiu = Colective art. Madrid : Art Futura, 2001.
  • Calle González, Juan Manuel. La creación plástica a través del ordenador. En: Monografías de arte. Sevilla : Universidad de Sevilla, 2000.
  • García Primo, Odón. La imagen digital. En: Monografías de arte. Sevilla : Universidad de Sevilla, 2002.
  • Prix Action Nouveaux Talents Indépendants (4. 2000).Prix Action Nouveaux Talents Indépendants. Paris : HP Invent, 2000.


ART ABSTRACTS “2004/2005” 


   1.   "2002 @Rt Outsiders International Digital Art Festival." Leonardo v 37 No2 2004. P. 99-104 .
   2.   "Art Is in the Eye of the Web User." Blueprint No230 May 2005. P. 117 .
   3.   "Artmedia VIII: From Aesthetics of Communication to Net Art." Leonardo v 37 No2 2004. P. 137-49 .
   4.   "Film and History Resource List." Cineaste v 29 No2 Spring 2004. P. 70 .
   5.   "Games." Print (New York, NY) v 58 No5 September/October 2004. P. 158-63 .
   6.   "Internet Art (Book Review." Modern Painters v 17 No2 Summer 2004. P. 143 .
   7.   "Kleine Helfer / Little Helpers." Novum June 2004. P. 52-3 .
   8.   "Live Art and Science on the Internet." Leonardo v 38 No3 2005. P. 192-200, 202-6, 208-21 .
   9.   "Marketing Through Computers." American Artist v 68 June 2004. P. 76-7 .
10.   "Muse: 15th Annual MUSE Awards." Museum News v 83 No6 November/December 2004. P. 48-52 .
11.   "Museum Makes Historical Images Available on Line." British Journal of Photography v 152 January 19 2005. P. 4 .
12.   "New Professional Development Website." RIBA Journal v 111 No10 October 2004. P. XV .
13.   "Pabellon De Video / Video Pavillion." El Croquis v 121/122 No3/4 2004. P. 384-7 .
14.   "Personalised Security and Fee Processing Online." British Journal of Photography v 152 February 2 2005. P. 4
15.   "Reviews Online (August-December 2004)." The Art Bulletin v 87 No1 March 2005. P. Insert 1 .
16.   "Reviews Online (December 2004-March 2005)." The Art Bulletin v 87 No2 June 2005. P. Insert1 .
17.   "Reviews Online (June-September 2004)." Art Bulletin v 86 No4 December 2004. P. 793 .
18.   "The Trains Are a Coming: Dee Jay Engineering 2003 Territory Craft Members' Exhibition." Textile Fibre Forum v 23 No1 2004. P. 27 .
19.   "Video: Vintage and Current." Millennium Film Journal No42 Fall 2004. P. 4-66, 69-84
20.   "Website Directory." IS Magazine v 10 No9 2004 Directory and Source Guide. P. 146-7 .
21.   Adam, Georgina. "New Survey Lifts the Lid on Art Price Sites." Art Newspaper v 14 September 2004. P. 43 .
22.   Allen, Isabelle. "Online Auctions: Architectural Values Come Under the Hammer." Architects' Journal v 219 No2 Jan 15 2004. P. 22 .
23.   Amerika, Mark. "Expanding the Concept of Writing: Notes on Net Art, Digital Narrative and Viral Ethics." Leonardo v 37 No1 2004. P. 9-13 .
24.   Aprile, Walter, and Stefano Mirti. "Building As Interface, or, What Architects Can Learn From Interaction Designers." Architectural Design (London, England) v 75 No1 January/February 2005. P. 30-7 .
25.   Ardenne, Paul, and L. S. tr Torgoff. "Gerry Schum: Kunsthalle." Art Press No300 Apr 2004. P. 71-2 .
26.   Argy, Stephanie. "Phoning It In- Literally." American Cinematographer v 86 No2 February 2005. P. 74-7 .
27.   Ayers, Tim. "A New Website for Medieval Stained Glass in Britain." The Journal of Stained Glass v 28 2004. P. 116-20 .
28.   Baca, Murtha. "News From the Getty." Visual Resources v 20 No1 Mar 2004. P. 85 .
29.   Baca, Murtha. "News From the Getty: New Databases." Visual Resources v 20 No4 December 2004. P. 383-4
30.    Ball, Ryan. "Life or Something Like It." Animation Magazine v 18 No5 May 2004. P. 11
31.   Ball, Ryan. "The Well-Connected Console." Animation Magazine v 18 No9 September 2004. P. 13 .
32.   Baron, Naomi S. "Cybertalk at Work and at Play." Visible Language v 39 No1 2005. P. 63-83 .
33.   Bartle, Jennifer. "Copyright Clearance for Online Images: A Lesson Learned." Museum News v 83 No2 Mar/Apr 2004. P. 27-9 .
34.   Beautyman, Mairi. "Message in a Bottle." Interior Design (New York, NY) v 76 No3 March 2005. P. 56, 58, 60
35.   Beghin, Cyril. "Cinema Gris." Cahiers Du Cinema No591 June 2004. P. 76-7 .
36.   Bellu, Giovanni Maria. "Un Mare Solido / Solid Sea 01. The Ghost Ship." Domus No866 Jan 2004. P. 54-61 .
37.   Berry, Colin. "Lex Appeal." ID (New York, NY) v 52 No4 June 2005. P. 95 .
38.   Berry, Colin. "Pixel Vixens." Print (New York, NY) v 58 No4 July/August 2004. P. 60-3 .
39.   Bing, Alison. "Viewpoint." Artweek v 36 No4 May 2005. P. 4 .
40.   Blackler, Zoe. "Dutch Auction Policy 'Disgraceful." Architects' Journal v 219 No2 Jan 15 2004. P. 4 .
41.   Bolognini, Maurizio. "The SMSMS Project: Collective Intelligence Machines in the Digital City." Leonardo v 37 No2 2004. P. 147-9 .
42.   Bonnin, Anne. "Dream Extensions: Smak." Art Press No300 Apr 2004. P. 86 .
43.   Bourriaud, Nicolas. "Art Et Essai." Beaux Arts Magazine No241 June 2004. P. 47 .
44.   Boutoulle, Myriam. "Acheter Des Objets D'Art Sur Le Net." Connaissance Des Arts No615 Apr 2004. P. 152
45.   Boutoulle, Myriam. "L'Archeologie En Temps Reel." Connaissance Des Arts No614 Mar 2004. P. 152 .
46.   Boutoulle, Myriam. "Cent Quarante Mille Dessins Du Louvre En Ligne." Connaissance Des Arts No613 February 2004. P. 136 .
47.   Boutoulle, Myriam. "Tout Sur L'Archeologie." Connaissance Des Arts No614 Mar 2004. P. 152 .
48.   Boyer, Guy. "Pompierisme Et Video." Connaissance Des Arts No613 Feb 2004. P. 16 .
49.   Brown, Jane Roy. "They Came From Earth." Landscape Architecture v 94 No8 August 2004. P. 22, 24 .
50.   Bruce, Roger. "Adding a Virtual Wing: The Right Technology for the Right Information." Image (Rochester, NY) v 42 No2 Aut 2004. P. 24-5 .
51.   Brummitt, Chris. "Going on Record Online." RIBA Journal v 112 No1 January 2005. P. VII .
52.   Bullivant, Lucy. "Induction House: Aether Architecture: Adam Somlai-Fischer." Architectural Design (London, England) v 75 No1 January/February 2005. P. 97-8 .
53.   Bullivant, Lucy. "Interactive Urban Design As Event: Christian Moeller." Architectural Design (London, England) v 75 No1 January/February 2005. P. 62-7 .
54.   Bullivant, Lucy. "Jason Bruges: Light and Space Explorer." Architectural Design (London, England) v 75 No1 January/February 2005. P. 79-81 .
55.   Bullivant, Lucy. "Son-O-House, NOX." Architectural Design (London, England) v 75 No1 January/February 2005. P. 70-1 .
56.   Bureaud, Annick. "Filets." Art Press No302 June 2004. P. 88 .
57.   Bureaud, Annick. "From Aesthetics of Communication to Net Art: The Artmedia VIII Symposium." Leonardo v 37 No2 2004. P. 139-40 .
58.   Burnett, Linda. "Surfing for Green." Contract (San Francisco, Calif: 2000) v 46 No4 Apr 2004. P. 82 .
59.   Carroll, Brian Thomas. "The Electromagnetic Internetwork." Leonardo v 37 No3 2004. P. 189 .
60.   Carson, Andrea. "Nervous Systems." Canadian Art v 22 No2 Summer 2005. P. 66-71 .
61.   Clark, Justin Tyler. "Get a Life." ID (New York, NY) v 52 No4 June 2005. P. 35-6 .
62.   Clarke, Catherine. "The Politics of Storytelling: Electronic Media in Archaeological Interpretation and Education." World Archaeology v 36 No2 June 2004. P. 275-86 .
63.   Cooper, Ross. "Art Against the Elements." Creative Review v 24 No9 September 2004. P. 68 .
64.   Coulson, Amanda. "3'." Art Review (London, England) v 2 No9 December 2004/January 2005. P. 103 .
65.   Crawford, Tad. "Copyright, the Public Domain, and the Internet." Communication Arts Magazine v 46 No4 Aug 2004. P. 186, 188-90 .
66.   Cunningham, Michael. "Slave to the Machine." Circa (Belfast, Northern Ireland) No108 Summer 2004. P. 16
67.   Chalifour, Bruno. "A Conversation With Multi Media Installation Artist Ann Stoddard." Afterimage v 32 No2 September/October 2004. P. 10-11 .
68.   Chardonnet, Ewen. "Espace, Conversion, Electromagnetisme / Space, Conversion, Electromagnetism." Art Press No298 Feb 2004. P. 45-7 .
69.   Chereau, Matthieu. "Re-Voir." Cahiers Du Cinema No591 June 2004. P. 72-3 .
70.   Choy Kok Kee. "T2000." Leonardo v 37 No2 2004. P. 134-5 .
71.   Choy, Rita, and Suzanne Loker. "Mass Customization of Wedding Gowns: Design Involvement on the Internet." Clothing and Textiles Research Journal v 22 No1/2 2004. P. 79-87 .
72.   Christopher, Jack. "Better Than the Real Thing?" Architects' Journal v 220 No19 November 18 2004. P. 41-2
73.   Dallow, Jessica. "Birmingham." Art Papers v 29 No3 May/June 2005. P. 42-3 .
74.   Daniel, Sharon, and Karen O'Rourke. "Mapping the Database: Trajectories and Perspectives." Leonardo v 37 No4 2004. P. 287-96, 304 .
75.   Danziger, Thomas, and Charles Danziger. "Virtual Reality." Art and Auction v 27 No3 November 2004. P. 122, 183 .
76.   Davis, Douglas. "Issues and Commentary: The Museum of the Third Kind." Art in America v 93 No6 June/July 2005. P. 75-9, 81 .
77.   Day, Agnes. "Shock Revelations in Artist's Wills." Art Newspaper v 14 Apr 2004. P.4
78.   Deblauwe, Francis. "Antiquities and the Iraq War: Information, the Web and Pictures." Visual Resources v 21 No1 March 2005. P. 73-91 .
79.   Desbazeille, Magali. "You Think, Therefore I Am (Following You)." Leonardo v 37 No2 2004. P. 102 .
80.   Diehl, Carol. "Northern Lights." Art in America v 92 No9 October 2004. P. 108-15 .
81.   Djamic, Lazar. "The Net Result." Blueprint No219 May 2004. P. 48-53 .
82.   Dyer, Scott. "Executive Suite: A New Golden Age." Animation Magazine v 18 No4 Apr 2004. P. 58 .
83.   Dyer, Scott. "Executive Suite: Flashback." Animation Magazine v 18 No8 Aug 2004. P. 46 .
84.   Dysart, Joe. "Bring Customers to Your Web Site With Polls." Crafts Report v 29 Mar 2004. P. 32-3 .
85.   Elias, Herlander. "Net Work on Network." Leonardo v 37 No3 2004. P. 190 .
86.   Elwes, Catherine. "Video Acts." Border Crossings v 23 No1 Feb 2004. P. 78-80 .
87.   Enright, Robert. "Heartbreaker: The Video Art of Benny Nemerofsky Ramsay." Border Crossings v 23 No4 November 2004. P. 54-64 .
88.   Falconer, Morgan. "Contemporary Art: London." The Burlington Magazine v 147 February 2005. P. 130-2 .
89.   Farine, Manou, and Benedicte Ramade. "Florian Schneider Pixellise Son Intuition." L'Oeil (Lausanne, Switzerland) No554 Jan 2004. P. 23 .
90.   Farren, Anne, and Andrew Hutchison. "Digital Clothes: Active, Dynamic, and Virtual Textiles and Garments." Textile v 2 No3 November 2004. P. 290-306 .
91.   Flescher, Sharon. "IFAR Receives IMLS Grant for Art Law Website Initiative." IFAR Journal v 7 No2 2004. P. 11 .
92.   Flouquet, Sophie. "Le Mois De L'Art Contemporain." L'Oeil (Lausanne, Switzerland) No556 Mar 2004. P. 38-9 .
93.   Folger, Tim. "Chaco Canyon in Cyberspace." Archaeology v 58 No3 May/June 2005. P. 56-7 .
94.   Fost, J. W 1969. "Toward the Glass Bead Game: A Rhetorical Invention." Leonardo v 37 No3 2004. P. 191 .
95.   Frank, Peter. "Viewpoint." Artweek v 35 No2 Mar 2004. P. 4, 24 .
96.   Friedman, Alan. "TryScience: Virtual Synergy." Museum News v 83 No2 Mar/Apr 2004. P. 9-11 .
97.   Fry, W. Logan. "A Guide to Going Online." Fiberarts v 31 No1 Summer 2004. P. 36-41
98.   Gal, Hannah. "Out of Stock."  British Journal of Photography v 152 January 5 2005. P. 14-16 .
99.   Gauthier, Christophe. "L'Interactivite a L'Ecran." Parachute No113 January/February/March 2004. P. 100-9 .
100. Gere, Charlie. "{Internet Art}." Art Book (London, England) v 11 No3 June 2004. P. 39-40 .
101. Gibbs, Michael. "Archiving Media Art." Art Monthly No285 April 2005. P. 37 .
102. Gibbs, Michael. "Dia Web." Art Monthly No277 June 2004. P. 43 .
103. Gibbs, Michael. "Locative Media." Art Monthly No280 October 2004. P. 40 .
104. Gibbs, Michael. "Neen Today." Art Monthly No276 May 2004. P. 44 .
105. Gibson, Daniel. "Weaving a Native Net." Native Peoples v 18 No2 March/April 2005. P. 12 .
106. Gibson, Grant. "Net Gains."  Blueprint No215 Jan 2004. P. 32-5 .
107. Godfrey, Mark. "Future Past." Art Monthly No273 Feb 2004. P. 7-10 .
108. Golas, Terri. "Winning Through 'Coopetition'." Crafts Report v 31 May 2005. P. 20-1
109. Goldberg, H. Edward. "Working Together on the Web." Architecture v 93 No11 November 2004. P. 77 .
110. Grant, Daniel. "Internet Piracy of Copyrighted Art." American Artist v 68 Aug 2004. P. 77 .
111. Gray, Rebecca. "Www.Xxx.Not." Print (New York, NY) v 58 No4 July/August 2004. P. 110-13 .
112. Greenberg, Randi. "Panoramic Views That Go Beyond the Printed Page." Architectural Record v 192 No12 December 2004. P. 81-3 .
113. Greenberg, Randi. "A Tale of Two-City Living." Architectural Record v 192 No4 Apr 2004. P. 77 .
114. Greinke, Marcus. "Forever Dot.Com?" Novum Jan 2004. P. 15 .
115. Gross, Richard. "From the Editor's Desk: SGAAOnline.Com." Stained Glass (Kansas City, MO: 1990) v 99 No4 Winter 2004. P. 246 .
116. Gschwandtner, Sabrina. "Between Film and Video- the Intermedia Art of Jud Yalkut: An Interview With Jud Yalkut." Millennium Film Journal No42 Fall 2004. P. 69-84 .
117. Guild, Henry. "Web Artists Need to Understand Web Usability." Afterimage v 31 No4 Jan/Feb 2004. P. 17-18
118. Hajdu, Georg. "Quintet.Net: An Environment for Composing and Performing Music on the Internet." Leonardo v 38 No1 2005. P. 23-30 .
119. Hansen, Gloria. "E-Mail Marketing." Crafts Report v 31 June 2005. P. 40-1 .
120. Hansen, Gloria. "Further Your Marketing Efforts Through Online Communication." Crafts Report v 31 April 2005. P. 44-5 .
121. Hansen, Gloria. "Staying Connected While on the Road." Crafts Report v 30 March 2005. P. 36-7 .
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