Selección bibliográfica realizada por la Biblioteca de la Facultad de Bellas Artes a partir de bases de datos especializadas en arte y de los fondos existentes en diversas bibliotecas, con motivo del TALLER DE TANIA BRUGUERA, Cátedra de Investigación Plástica Juan Gris, organizado por la Facultad de Bellas Artes (UCM), Decanato, Delegación de Cultura, del 4 al 8 de febrero de 2008 y dirigido por Tania Bruguera.
ARTÍCULOS
"L'esperienza dell'arte" nel Padiglione Italia. Vernissage, no. 62 (2005), pp. 10-13.
“51st Venice Biennale Special”. Flash Art, vol. 38 no. 243 (2005), pp. 145-152.
“Women artists at Venice: Always a Little Further - the experience of art 51st Venice Biennale, 2005”. n.paradoxa, no. 16 (2005), pp. 75-80.
“Der Kunstler der Documenta 11 in Kunstforum”. Kunstforum International, no. 161 (2002), pp. 491-494.
“Tania Bruguera." Kunstforum Internationa” (August/October 2002), pp. 238-41.
“Women artists at Documenta 11”. n.paradoxa, no. 10 (2002), pp. 44.
AMMANN, J. “Not enough art, too much political correctness”. Art Newspaper, vol. 13 no. 128 (2002), pp. 13.
ANSELMI, I. “Kunst, Macht und Marginalität: zur 5. Biennale von Havanna”. Kunstforum International, no. 128 (1994), pp. 318-325.
ARRATIA, E. "Bruguera, Tania: performance artist." Flash Art (International Edition) vol. 32, no. 204 (January/February 1999) pp. 48.
BARRIENDOS, J. “The IX Biennial of Havana”. Flash Art, vol. 39 no. 248 (2006), pp. 63, 71.
BAYLISS, S. Putting on the lamb”. ARTnews, no. 103 (2004), pp. 164-167.
BEYN, A. A little bit of history repeated”. Make, no. 92 (2002), pp. 65.
BIESENBACH, K. Into Me, Out of Me”. Flash Art, vol. 39 no. 248 (2006), pp. 100-104.
BISHOP, C. ”The New Masters of Liberal Arts”. Modern Painters, vol. 19 no. 7 (2007), pp. 86-89.
BORDÁCS, A. “A hierarchia alkonya: a 11. documenta néhany jellemzoje”. Új Muvészet, no. 13 (2002), pp. 7-9.
BOUSTEAU, F. “Cuba: la belle Americaine”. Beaux Arts Magazine, no. 200 (2001), pp. 68-81.
BRODY, J. “From putts to prints in Cuba”. Art On Paper, vol. 7 no. 5 (2003), pp. 40-45.
BROKER, D. “The Venice Biennale ». Photofile, no. 75 (2005), pp. 66.
BUCARELLI, V. “Brooklyn en rose”. Giornale dell'Arte, vol. 25 no. 265 (2007), pp. 46.
CAMERON, D. “Looking For A Place”. Artforum, vol. 38 no. 3 (1999), pp. 140.
CAMNITZER, L. “Los Latinos”. Art Nexus, no. 52 (2004), pp. 66-69.
CAMNITZER, L. “The 49th Venice Biennale: prisoners of time”. Art Nexus, no. 42 (2002), pp. 50-56.
CASSEL, V. “The Havana Biennale”. NKA: Journal of Contemporary African Art, no. 15 (2001), pp. 14-17.
CEMBALEST, R. “Where Rube Goldberg meets Kafka”. ARTnews, vol. 100 no. 2 (2001), pp. 150-151.
CHAMBERT, C. “The 7th Havana biennial. Nu: the Nordic”. Art Review, vol. 3 no. 1 (2001),.
DAMIAN, C. “Art Basel Miami Beach: and beyond”. Art Nexus, no. 56 (2005), pp. 123-124.
DIEZ, R. “I trenta da non perdere”. Arte, no. 383 (2005), pp. 88-97.
FECHTER, I. “Ganz Venedig ist Biennale”. Weltkunst, no.75 (2005), pp. 88-89.
FECHTER, I. “Ernst ist das Leben - und ernst ist die Kunst”. Weltkunst, no. 72 (2002), pp. 1110-1111.
FERNÁNDEZ, A.E. “Tania Bruguera”. Art Nexus, no 46 (2002), pp. 99.
FRICKE, H., GRZONKA, P., LOSEL, A., MULLER, D., CORK, R., LEBOVICI, E., VACHTOVA, L., CHERUBINI, L., LEVIN, K. and HECHT, A. “Konkurrenzlos: Documenta 11 war das Ereignis des Jahres”. ART: das Kunstmagazin, no. 1 (2003), pp. 56-61.
GOLDBERG, R. “Dreaming in Cuban: Tania Bruguera/ Träumen auf Kubanisch”. Parkett, no. 73 (2005), pp. 148-160.
GONZALEZ-MORA, M. “Market and seduction in the contemporary Cuban art scene. Make, no. 92 (2002), pp. 41-43.
GRINSTEIN, E. “Havana Biennial”. Flash Art, vol. 34 no. 217 (2001), pp. 111.
GUTH, E. “Ein spanisches Doppel für Venedig”. ART: das Kunstmagazin, no. 6 (2005), pp. 42-44.
HAASE, A. “Keine Zukunft ohne Vergangenheit oder: Kunst als Mittel der Erkenntnis”. Kunstforum International, no. 161 (2002), pp. 52-67.
HEARTNEY, E. “Tania Bruguera at LiebmanMagnan”. Art in America, vol. 90 no. 3 (2002), pp. 131-132.
HENTSCHEL, H. 8. Biennale von Havanna. Kunstforum International, no. 168 (2004), pp. 376-379.
HERZBERG, J.P. “8th Havana Biennial”. Art Nexus, no. 52 (2004), pp. 82-88.
HILL, J. “Istanbul: 8th International Istanbul Biennial”. Contemporary, no. 59 (2004), pp. 62-63.
HOFFMANN, J. “Tania Bruguera: freedom of the ephemeral”. Flash Art, vol. 34 no. 225 (2002), pp. 98-99.
HYLTON, R. “Notes on Documenta ». engage, no. 13 (2003), pp. 43-48.
ISRAEL, N. “VII Bienal de la Habana”. Artforum, vol. 39 no. 6(2001), pp. 147-148.
JIMÉNEZ, C. “51th Venice Biennial: the biennial of the two Spanish (and of the Latin Americans)”. Art Nexus, no. 58(2005), pp. 84-88.
JIMÉNEZ, C. “The globalilzation Documenta”. Art Nexus, no. 46 (2002), pp. 64-70.
KATZ-FREIMAN, T. “Compromising situations: behind the scenes at the Havana Biennial”. Art Papers, vol. 25 no. 3 (2001), pp. 14-15.
KATZ-FREIMAN, T. “Complexities of art in Cuba”. Art Papers, vol. 23 no. 4 (1999), pp. 8-9.
KAUFMAN, J.E. “Where dollars speak louder than protest”. Art Newspaper, vol. 13 no. 142 (2003), pp. 27.
KLEEBLATT, N.L. “Istanbul Biennial”. ARTnews, vol. 102 no. 11 (2003), pp. 128.
LAPP, A. « Documenta 11/2 ». Art Monthly, no. 258 (2002), pp. 7-10.
LEDO, A. “Huellas íntimas/ Intimate traces”. Lápiz, vol. 23 no. 207 (2004), pp. 48-63.
LEQUEUX, E. and MOISDON, S. « Biennale de Venise: le temps de la réforme ». Beaux Arts Magazine, no. 252 (2005), pp. 76-85.
LITICHEVSKII, G. « K voprosu o pyatiletkakh v sovremennom iskusstve ». Moscow Art Magazine, no. 46 (2002), pp. 66-69.
LLEDO, E. « No Place ». Lápiz, vol. 22 no. 196 (2003), pp. 79.
LOPEZ, J.A. “2003. ...Y vinieron con su canoa a bordo de la nao con su embajada”. Lápiz, vol. 22 no. 197 (2003), pp. 72-75.
LUTYENS, D. “Art in Cuba”. Art Review,vol. 4 no. 6 (2006) , pp. 60-69.
MCMAHON, J. “Future conditional - A short time teaching in Cuba”. PAJ, vol. 27 no. 81 (2005), pp. 1-17.
METCALFE, R. ”Robin Metcalfe's Bienal de la Habana notebook”. C Magazine, vol. 69 (2001), pp. 15-21.
MITCHELL, C.D. “Report from Santa Fe: places of the art”. Art in America,vol. 87 no. 12 (1999), pp. 46-49.
MONTGOMERY, H. "Study for Endgame #3 (Blue Velvet) Tania Bruguera." Art Nexus vol. 5, no. 61 (June/August 2006), pp. 124-5
MULLER, S. “Documenta 11: der grosse Spagat”. ART: das Kunstmagazin, no. 8 (2002), pp. 12-31.
NAHAS, D., “Preview: the 8th International Istanbul Biennial”. ART AsiaPacific, vol. 38 (2003), pp. 25-26.
NEMECZEK, A. “Eine Schau, die morgens kommt und abends geht”. ART: das Kunstmagazin, no 7 (2003), pp. 100.
NOCHLIN, L. “What befits a woman”. Art in America,no. 8 (2005), pp. 120-125.
OLIVARES, R. “El paraiso no existe”. Lápiz, vol. 17 no. 147 (1998), pp. 68-73.
OLIVARES, R. “La isla imposible”. Lápiz, vol. 13 no. 112 (1995), pp. 70-75.
OLMO, S.B. “Documentacion y malestar”. Lápiz, vol. 21 no. 185 (2002), pp. 20-29.
OLMO, S.B. “Escenarios para el arte”. Lápiz, vol. 20 no. 175 (2001), pp. 42-51.
OLMO, S.B. “El individuo y la memoria”. Lápiz, vol. 16 no. 133 (1997), pp. 62-69.
OTTMANN, K. “Kwangju Biennale 2000”. ARTnews, vol. 99 no. 6 (2000), pp. 154.
PÉREZ LEÓN, D. “VIII Istanbul Biennial: poetic justice for an ideal globalized world”. Art Nexus, vol. 51 (2004), pp. 110-114.
RECKITT, H. “Unusual suspects: 'Global Feminisms' and 'WACK! Art and the Feminist Revolution'”. n.paradoxa, no. 18 (2006), pp. 34-42.
RICHARDSON, P. “Varieties of Havana: the 7th Habana Bienal”. Third Text, no. 55 (2001), pp. 99-102.
RONNAU, J. "The PresentDestierro; Tatlins WhisperLampeTomma Abts, Eija-Liisa Ahtila, Tania Bruguera, Isa Genzken: Kunsthalle zu Kiel." Kunstforum International (October/November 2006), pp. 306-8
SALGADO, G. “On hours and maps: two exhibitions of Latin American art in England and Ireland”. Art Nexus, vol. 5 no. 60 (2006), pp. 98-100.
SALGADO, G. “8th Havana Biennial: the bittersweet taste of utopia”. Flash Art, vol. 37 no. 234 (2004), pp. 47.
SCHLUTER, R. “Berichte von der Insel Nirgendwo”. ART: das Kunstmagazin, no. 4 (2002), pp. 88.
SHOLETTE, G. “Affirmation of the curatorial class”. Afterimage, vol. 28 no. 5 (2001), pp. 6-8.
SMITH, T. “Biennales: in the conditions of contemporaneity”. Art and Australia, no. 42 (2005), pp. 406-415.
SMITH, T. “Thinking wishfully: the 8th Havana Biennale Cuba”. NKA: Journal of Contemporary African Art, no. 19 (2004), pp. 64-69.
STORR, R. “Harry's last call”. Artforum, vol. 40 no. 1 (2001), pp. 158-159.
SZEEMANN, H. ”The Real Royal Trip: El Real Viaje Real”. Flash Art, vol. 37 no. 234 (2004), pp. 92-95.
THOMPSON, C. “Pulse”. tate: the art magazine, no. 6 (2003), pp. 34-35.
THON, U. “Kubas rebellische Tochter”. ART: das Kunstmagazin, no. 6 (2002), pp. 48-53.
TINARI, P. “We Are Your Future”. ART AsiaPacific, no. 53 (2007), pp. 122.
TONEL. “A tree from many shores: Cuban art in movement”. Art Journal, vol. 57 no. 4 (1998), pp. 62-73.
TURNER, G.T. “Sweet dreams”. Art in America, vol. 89 no. 10 (2001), pp. 72-75.
VALDÉS FIGUEROA, E. “Art in Cuba: the mask - utopia and ideology”. Flash Art, vol. 30 no. 192 (1997), pp. 52-55.
VETTESE, A. “Incubo cubano”. Vernissage, no. 68 (2006), pp. 14.
WEINSTEIN, J. “Art and agitprop: whose ox is it, anyway?” Art Papers, no. 29 (2005), pp. 30-33.
WEISS, R. “The orbit of the 7th Havana Biennial: planet buenavist”a. Art Nexus, no. 39 (2001), pp. 48-55.
WULFFEN, T. “Nach dem rundgang - Notizen zu künstlern”. Kunstforum International, no. 177 (2005), pp. 475-480.
WULFFEN, T. and HAASE, A. “Documenta 11: Binding-Brauerei”. Kunstforum International, no. 161 (2002).
ZAMANILLO PERAL, F. “Mercancías”. Lápiz, vol. 21 no. 179-180 (2002), pp. 159.
ZAMUDIO, R. “Tania Bruguera”. Contemporary, no. 74(2005), pp. 42-45.
MONOGRAFÍAS
“Arte cubano : más allá del papel”. Madrid : Fundación Caja Madrid, 1999.
“Caribe insular : exclusión, fragmentación y paraíso”. Madrid : Casa de América, 1998.
“Corpus delecti: performance art of the Americas”. London; New York: Routledge, 2000.
“Curve : the female nude now”. New York : Universe, 2003.
“La dirección de la mirada : arte cubano contemporáneo”. Zürich : Voldemeer, 1999.
“De discretas autorías : Alexander Apóstol,Tania Bruguera, Magdalena Fernández ...”. Maracay (Venezuela) : Museo de Arte Contemporáneo de Maracay Mario Abreu, 1998.
“Fresh cream: contemporary art in culture”. London: Phaidon, 2000.
“No Place : Tania Bruguera ...”. Stuttgart : Ifa, 2002
“The visible and the invisible: re-presenting the body in contemporary art and society”. London: Institute of International Visual Arts, 1996.
MUÑOZ, José. “Performing greater Cuba : Tania Bruguera's burden of guilt”. En: Holy terrors : Latin American women perform. Durham : Duke University Press, 2003.
